1. Reader's Theatre
Readers Theater is a dramatic presentation of a written work in a script form.Readers read from a "script" and reading parts are divided among the readers. No memorization, costumes, blocking, or special lighting is needed. Presentations can easily be done in a k-3 classroom. Scripts are held by the readers.
2. Rumpelstiltskin
A. Author
The Brothers Grimm, Jacob and Wilhelm Grimm, were German academics, philologists, cultural researchers, lexicographers and authors who together specialized in collecting and publishing folklore during the 19th century.
B. Story
Once there was a miller who was poor, but who had a beautiful daughter. Now it happened that he had to go and speak to the king, and in order to make himself appear important he said to him, "I have a daughter who can spin straw into gold."
The king said to the miller, "That is an art which pleases me well, if your daughter is as clever as you say, bring her to-morrow to my palace, and I will put her to the test."
And when the girl was brought to him he took her into a room which was quite full of straw, gave her a spinning-wheel and a reel, and said, "Now set to work, and if by to-morrow morning early you have not spun this straw into gold during the night, you must die."
Thereupon he himself locked up the room, and left her in it alone. So there sat the poor miller's daughter, and for the life of her could not tell what to do, she had no idea how straw could be spun into gold, and she grew more and more frightened, until at last she began to weep.
But all at once the door opened, and in came a little man, and said, "Good evening, mistress miller, why are you crying so?"
"Alas," answered the girl, "I have to spin straw into gold, and I do not know how to do it."
"What will you give me," said the manikin, "if I do it for you?"
"My necklace," said the girl.
The little man took the necklace, seated himself in front of the wheel, and whirr, whirr, whirr, three turns, and the reel was full, then he put another on, and whirr, whirr, whirr, three times round, and the second was full too. And so it went on until the morning, when all the straw was spun, and all the reels were full of gold.
By daybreak the king was already there, and when he saw the gold he was astonished and delighted, but his heart became only more greedy. He had the miller's daughter taken into another room full of straw, which was much larger, and commanded her to spin that also in one night if she valued her life. The girl knew not how to help herself, and was crying, when the door opened again, and the little man appeared, and said, "What will you give me if I spin that straw into gold for you?"
"The ring on my finger," answered the girl.
The little man took the ring, again began to turn the wheel, and by morning had spun all the straw into glittering gold.
The king rejoiced beyond measure at the sight, but still he had not gold enough, and he had the miller's daughter taken into a still larger room full of straw, and said, "You must spin this, too, in the course of this night, but if you succeed, you shall be my wife."
Even if she be a miller's daughter, thought he, I could not find a richer wife in the whole world.
When the girl was alone the manikin came again for the third time, and said, "What will you give me if I spin the straw for you this time also?"
"I have nothing left that I could give," answered the girl.
"Then promise me, if you should become queen, to give me your first child."
Who knows whether that will ever happen, thought the miller's daughter, and, not knowing how else to help herself in this strait, she promised the manikin what he wanted, and for that he once more spun the straw into gold.
And when the king came in the morning, and found all as he had wished, he took her in marriage, and the pretty miller's daughter became a queen.
A year after, she brought a beautiful child into the world, and she never gave a thought to the manikin. But suddenly he came into her room, and said, "Now give me what you promised."
The queen was horror-struck, and offered the manikin all the riches of the kingdom if he would leave her the child. But the manikin said, "No, something alive is dearer to me than all the treasures in the world."
Then the queen began to lament and cry, so that the manikin pitied her.
"I will give you three days, time," said he, "if by that time you find out my name, then shall you keep your child."
So the queen thought the whole night of all the names that she had ever heard, and she sent a messenger over the country to inquire, far and wide, for any other names that there might be. When the manikin came the next day, she began with Caspar, Melchior, Balthazar, and said all the names she knew, one after another, but to every one the little man said, "That is not my name."
On the second day she had inquiries made in the neighborhood as to the names of the people there, and she repeated to the manikin the most uncommon and curious. Perhaps your name is Shortribs, or Sheepshanks, or Laceleg, but he always answered, "That is not my name."
On the third day the messenger came back again, and said, "I have not been able to find a single new name, but as I came to a high mountain at the end of the forest, where the fox and the hare bid each other good night, there I saw a little house, and before the house a fire was burning, and round about the fire quite a ridiculous little man was jumping, he hopped upon one leg, and shouted -
'To-day I bake, to-morrow brew,
the next I'll have the young queen's child.
Ha, glad am I that no one knew
that Rumpelstiltskin I am styled.'"
You may imagine how glad the queen was when she heard the name. And when soon afterwards the little man came in, and asked, "Now, mistress queen, what is my name?"
At first she said, "Is your name Conrad?"
"No."
"Is your name Harry?"
"No."
"Perhaps your name is Rumpelstiltskin?"
"The devil has told you that! The devil has told you that," cried the little man, and in his anger he plunged his right foot so deep into the earth that his whole leg went in, and then in rage he pulled at his left leg so hard with both hands that he tore himself in two.
C. Others
3. _i_e-發ㄞ的音/_a_e-發ㄟ的音
hide We can play hide and seek.
dive Only dive at the deep end of the pool.
fire The flames of the fire kept us warm
trade I'll trade you my cards for yours.
bake Which cakes shall we bake today?
shake The earthquake made the ground shake.
4.The Tyger
"The Tyger" is a poem by the English poet William Blake published in 1794 as part of the Songs of Experience collection.
A. Author- William Blake
B. Poem
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?
In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare sieze the fire?
And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?
What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?
When the stars threw down their spears,
And water'd heaven with their tears,
Did he smile his work to see?
Did he who made the Lamb make thee?
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?
5.Alice's Adventures in Wonderland
A. March hare
The March Hare is a character most famous for appearing in the tea party scene in Lewis Carroll's Alice's Adventures in Wonderland.
B. Author - Lewis Carroll
Charles Lutwidge Dodgson, better known by his pen name Lewis Carroll, was an English writer, mathematician, logician, Anglican deacon, and photographer.
C. Story
Alice's Adventures in Wonderland is an 1865 novel written by English mathematician Charles Lutwidge Dodgson under the pseudonym Lewis Carroll. It tells of a girl named Alice falling through a rabbit hole into a fantasy world populated by peculiar, anthropomorphic creatures. The tale plays with logic, giving the story lasting popularity with adults as well as with children. It is considered to be one of the best examples of the literary nonsense genre.Its narrative course and structure, characters and imagery have been enormously influential in both popular culture and literature, especially in the fantasy genre.
6. Peter Pan
A. Playright - J.M.Barrie
Sir James Matthew Barrie, 1st Baronet, OM (9 May 1860 – 19 June 1937) was a Scottish novelist and playwright, best remembered today as the creator of Peter Pan. He was born and educated in Scotland but moved to London, where he wrote a number of successful novels and plays. There he met the Llewelyn Davies boys, who inspired him to write about a baby boy who has magical adventures in Kensington Gardens (included in The Little White Bird), then to write Peter Pan, or The Boy Who Wouldn't Grow Up, a "fairy play" about an ageless boy and an ordinary girl named Wendy who have adventures in the fantasy setting of Neverland.
B. Story
Peter Pan is a character created by Scottish novelist and playwright J. M. Barrie. A free spirited and mischievous young boy who can fly and never grows up, Peter Pan spends his never-ending childhood having adventures on the mystical island of Neverland as the leader of the Lost Boys, interacting with fairies, pirates, mermaids, Native Americans, and occasionally ordinary children from the world outside Neverland. In addition to two distinct works by Barrie, the character has been featured in a variety of media and merchandise, both adapting and expanding on Barrie's works.
C. Character
D. Video
7. Sherlock Holmes
A. Author- Arthur Conan Doyle
Sir Arthur Ignatius Conan Doyle KStJ, DL (22 May 1859 – 7 July 1930) was a Scottish writer and physician, most noted for creating the fictional detective Sherlock Holmes and writing stories about him which are generally considered milestones in the field of crime fiction.
He is also known for writing the fictional adventures of a second character he invented, Professor Challenger, and for popularising the mystery of the Mary Celeste. He was a prolific writer whose other works include fantasy and science fiction stories, plays, romances, poetry, nonfiction and historical novels.
B. Story
Sherlock Holmes is a fictional private detective created by British author Sir Arthur Conan Doyle. Known as a "consulting detective" in the stories, Holmes is known for a proficiency with observation, forensic science, and logical reasoning that borders on the fantastic, which he employs when investigating cases for a wide variety of clients, including Scotland Yard.
C. Sherlock
8. Murder, She Wrote
A. Actress-Angela Lansbury
Dame Angela Brigid Lansbury, DBE is a British-American-Irish actress who has appeared in theatre, television and film, as well as a producer, singer and songwriter.
B. Story
Mystery writer and amateur detective Jessica Fletcher - a down-to-earth, middle-aged widow - ferrets out the criminals in idyllic Cabot Cove, Maine, which apparently is the murder capital of the United States for the show's 12-season run. Though while traveling, she uncovers a fair number of killers as well.
9. Winnie the Pooh
A. Author- A.A.Milne
B. Story
Winnie the Pooh is a character based on A. A. Milne's Winnie-the-Pooh stories. The Disney media franchise commenced in 1966 with the theatrical release of the short Winnie the Pooh and the Honey Tree.
C. onomatopoeia
10. An Ass eating thistles
A. Story
An ass was loaded with good provisions of several sorts, which, in time of harvest, he was carrying into the field for his master and the reapers to dine upon. By the way he met with a fine large Thistle, and, being very hungry, began to mumble it; and while he was doing so he entered into this reflection: How many greedy epicures would think themselves happy, amidst such a variety of delicate viands as I now carry! But to me this bitter, prickly Thistle is more savory and relishing than the most exquisite and sumptuous banquet. Let others choose what they may for food, but give me, above everything, a fine juicy thistle like this and I will be content.
Moral:
Everyone to his taste: one man's meat is another man's poison, and one mans poison is another man's meat; what is rejected by one person may be valued very highly by another.
B.fable v.s. parable
Fable is a literary genre: a succinct fictional story, in prose or verse, that features animals, legendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphized (given human qualities, such as the ability to speak human language) and that illustrates or leads to a particular moral lesson (a "moral"), which may at the end be added explicitly as a pithy maxim.
A fable differs from a parable in that the latter excludes animals, plants, inanimate objects, and forces of nature as actors that assume speech or other powers of humankind.
A parable is a succinct, didactic story, in prose or verse, which illustrates one or more instructive lessons or principles. It differs from a fable in that fables employ animals, plants, inanimate objects, or forces of nature as characters, whereas parables have human characters. A parable is a type of analogy.
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